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John Milton (1608-1674). Areopagitica (1644)

January 8th, 2012 Posted in Liberal Philosophy, Uncategorized by

John Milton (1608-1674)

Areopagitica (1644)

John Milton is best known as a poet, in English and in Latin,  particularly for his epic Paradise Lost, one of the major works in all English literature.  It is work with a religious structure, which also shows evidence of his opposition to (Satanic) tyranny, and support for republicanism as the most godly form of government on Earth.  As this suggests, Milton was also one of the major seventeenth century English republican thinkers.  Nineteenth century English liberals gave great importance to Milton as a forerunner, as in The Whig-Liberal  historian, politician and civil servant Thomas Macaulay who elevated Milton to the status of ‘martyr of English liberty’.   It is Milton’s strangely name Areopagitica which has made the biggest impression in the history of political thought.  Milton was a supporter of the English Commonwealth (1649-1660, though in the strictest sense it ended in 1653), which followed Parliament’s victory over the English monarchy, and the execution of Charles I.  He  argued for the Commonwealth on the basis of  a form of popular sovereignty argument (in which Milton thought that aristocratic bodies could be adequate to represent the nation) inThe Tenure of Kings and Magistrates of 1649.  He worked for Oliver Cromwell, commander of the Parliamentary army, and increasingly dominant in politics, as Secretary of Foreign Tongues (which meant chief translator and publicist for the government).  Cromwell can as much be regarded as the great traitor to English republicanism as its hero, but he did have republican supporters like Milton. Cromwell’s elevation to rank Lord Protector in 1653, along with his crushing of republican and democratic thinkers, his restrictions on parliament and religious dissenters, and increasingly monarchical pretensions, ended the hopes of a pure republic of liberty and parliamentary power, in England.  He was still the defender of the next best thing for Milton,  and for others. Areopagitica refers to the Athenian court of Areopagus which has secular and religious, legal and poetic, significance.  In secular terms it was a court of Athens, the most democratic and liberty respecting of ancient Greek states.  Ancient Greek tragedy links the Areopagus Hill with the transition from revenge to law, as it is the location of the trial of Oestes in the Eumenides (the last part of Aeschylus’ Oresteia), in which the Furies becomes the Kindly Ones.  As St Paul famously spoke there (New Testament. Acts 17: 24), it has an important place in the origins of Christianity.  This is very favourable to Milton’s interest in both Christian religion and antique literature. As was normal for republican and liberty oriented thinkers of the time, he drew on Ancient Greek and Roman history, along with the Hebrew Bible/Old Testament, for examples of good and bad political forms.  In Milton, there is a particular emphasis on liberty, as the Protestant liberty for a Christian to seek an individual understanding of the Bible, and of God’s word.  Political liberty is necessarily bound up with this for him.

Milton quotes from Euripides’ tragedy the Suppliant Women at the beginning of Areopagitica, confirming the importance of Ancient Greek tragedy as a source of thought about liberty.  He also refers to the more strictly defined political thought of antiquity, as when he refers to Cicero in his account of  the value of publication freed from pre-censorship. In Areopagitica,  Milton is addressing parliament at the height of the English Civil War (1642-1651, also known, and more accurately, as the War of the Three Kingdoms) to appeal against the pre-censorship of books, which he refers to as licensing.  Milton’s argument in religion, in politics, and in all fields, is that truth emerges stronger for being challenged and then in the arguing for it. We can never be sure that we have found the highest truth, so we are bound to entertain counter-arguments to whatever we think is the highest truth we have.  Milton does make it  clear that he excludes atheism and Catholicism from the range of  thought which can be freely expressed, but this is not intolerance by the standards of the age.   It is the freedom of books in Athens that Milton refers to as a model in antiquity, and this extends to a suggestion that England is a particularly free nation, implicitly like ancient Athens, so we see the role of classicism, of nostalgia for ancient republics, in modern ideas about liberty.  Milton’s specific arguments for free speech include the idea that a right to free speech, and even demonstrable commitment to its exercise, is  a criterion of membership of a political community, both in legal terms and in terms of peer esteem.  Those who are not trusted in their actions, including the action of writing, even though their intentions are not known to be immoral or illegal, must be regarded as excluded from full citizenship, because of intellectual impairment, or citizenship of another nation.  Milton’s sense of liberty includes national self-government, and though his manner of referring to foreign residents may strike us as harsh, he does capture the idea that state power must be limited to what comes from the freely formed political will of the nation, and in responsible genuinely national political institutions, as opposed to the will of one person.  As a defender of free speech, and very few in his time went further in demanding liberty of expression, he is a great antecedent for John Stuart Mill, and all those who have argued for individual liberty, and for political institutions which act with rational deliberation, and which are accountable to public opinion.

 

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